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JOIN NOWHow does breathing actually work? What is the diaphragm and what does it do? What are belly breathing & rhythmic breathing? How do they help you run?
After a long running life I landed in a Pilates class. I was strong but couldn't do some of the exercises. Next, I'm in a Bikram Yoga class. Again, I was strong, (not too flexible) but the breathing exercises right at the beginning of the class killed me big time.
My breathing on the runs following these sessions was random, hectic and confused. In Bikram they taught me to breath in and out through the nose, in Pilates in through the nose, out through the mouth. What do I do now?
I was panicking. It was time to investigate. And rule number one is never to stop breathing, even when panicking; keep bringing that oxygen to the body.
In my research three subjects kept coming up: the diaphragm, belly breathing and rhythmic breathing. Before we jump to the diaphragm, I'd like to explain a little about breathing.
Breathing means getting air in and out of the lungs. This activity is a movement in the thoracic and abdominal cavity. The thoracic cavity contains the heart and lungs and the abdominal contains the stomach, liver, pancreas, small and large intestines, kidneys, to mention just a few.
Both of the cavities are mobile - they change shape. If we're talking breathing, the abdominal cavity changes shape but not volume, but in the context of eating for example, it changes shape AND volume. When we eat or drink the volume increases, and naturally causes the decrease of the thoracic cavity - hence the heavy breathing after a big heavy meal. The thoracic cavity changes shape and volume.
The relationship between the volume and pressure is the following: when volume increases, the pressure decreases and vice versa. Because air flows into the areas with lower pressure, increasing the volume of thoracic cavity will reduce the pressure and let the air flow in. This is an inhalation. Exhalation is a reversal of this process.
It is important to understand that when breathing, the thoracic cavity changes shape 3-dimensionally; that is from top to bottom, from front to back and from side to side. A thoracic shape change causes abdominal shape change. These two are linked together and one shape change cannot happen without the other. It is why the state of the abdominals influences the quality of the breathing and vice versa, the quality of the breathing influences the health of the abdominals.
The main muscle causing these 3-dimensional shape changes is the diaphragm. It separates the two cavities and has a shape of a parachute. The organs it encloses and supports are shaping it into an asymmetric muscle; the right side is pushed higher by the liver and the heart pushes down the left side.
The diaphragm is attached to the body in three main areas: the bottom of the sternum, the base of the ribcage and the front of the lower spine. The majority of the muscle originates on flexible tissue of the costal cartilage. From their origins the muscular fibres rise upwards to the horizontal top of the muscle (which is flat) and insert into it. This is the diaphragm's main tendon and it does not contract.
The movement of the diaphragm causes the shape changes of the cavities and in this way affects the movements of the organs the cavities contain.
The muscular fibres of the diaphragm are aligned vertically in the body and this is how they move: up-down. When these vertical muscular fibers contract they pull its insertion and origins towards each other - the main horizontal tendon and the base of the rib cage - and this is the main cause of the shape changes in the two cavities when we breathe.
When the central tendon is stable and the ribs are moving, the contraction of diaphragm will cause the expansion of the rib cage. This is called chest breathing. When the base of the ribcage is stable and the central tendon is mobile - the belly bulges. This is what we call belly breathing. Both, chest and belly breathing use the diaphragm. The difference is the effectiveness of its use.
The diaphragm is not the only muscle involved in breathing; there are other accessory muscles. But if you want to strengthen the diaphragm, take a look at this article: Breathing Exercises for Runners: The Diaphragm »
How do you find out if you are a belly or a chest breather? Easy! Lie down on your back bending your knees. Put your right hand on your belly and left hand on the chest. Keep breathing and watch your hands. If you breathe into your belly, your belly-hand should be moving up and down and the chest-hand should be relatively still. To see this more clearly go for a short faster run prior to the test.
So you have just found out you're a chest breather. No worries. To practice belly-breathing stay in the same position on the floor, and put both hands over your belly as if you were wrapping it. Keeping your shoulders and chest still, concentrate on raising your belly when inhaling and lower it when exhaling. Leave your mouth relaxed, half open and breathe using it, as well as your nose. As you breathe in you should be creating a little gap between the hands; breathing out the gap disappears. As you're breathing in, you should feel your abdominals expanding.
Apart from getting in less oxygen by chest breathing the shoulders also get tense and move up and down. When running, this is wasted energy that could have been saved.
According to a research, during running, when your foot hits the ground, the force of impact is up to three times your body weight. The strain from the impact is most intense when the foot hits the ground on exhale. During exhale, the diaphragm and the surrounding muscles that work with it relax causing less stability in the core. Always landing on the same foot at the beginning of exhalations will put lots of stress on one side of the body. It will get more tired and prone to injury.
So what you want is to land on the right and left foot at the beginning of exhale alternately. To achieve this use an odd-even breathing pattern to match the footstrike with inhale-exhale. This way you spread the impact stress equally over both sides of the body. This is called rhythmic breathing.
The 3:2 pattern is a good start: Inhale for three steps and exhale for two. When you feel confident that you have the 3:2 pattern down, take it for a walk. Inhale for three steps, exhale for two, inhale for three steps, exhale for two. Finally, of course, try out your rhythmic breathing on a run - inhaling for three footstrikes and exhaling for two. A few key points: Inhale and exhale smoothly and continuously through both your nose and mouth at the same time. If it seems difficult to inhale over the full three strides, either inhale more gradually or pick up your pace. And lastly, do not listen to music while learning to breathe rhythmically. The beats of the music will confuse the heck out of you.
You can experiment with a variety of breathing patterns (2-2, 3-3, 2-1, 1-2,¦) lying down on your back, knees bent and feet flat on the floor. Leaving your mouth open, face relaxed, use both mouth and nose for belly breathing. It is not necessary, but you can put your hands on your belly to ensure you are belly breathing. When you are set up, inhale for 2, exhale for 2 (if you are doing the 2-2 pattern). The breathing should be relaxed and continuous. Alternate the patterns and when you feel comfortable with this type of breathing, try adding foot taps. This will give you a feel of harmonizing inhale and exhale with the foot strike.
Being comfortable with rhythmic breathing reduces the chances of an injury, and opens up many possibilities in the running life. Different surface, different speeds - you will adapt to things much easier when you know your breathing.
The diaphragm is not the only muscle involved in breathing; there are other accessory muscles. But for now let's look at how to strengthen the diaphragm. Here is a little routine incorporating Pilates and Yoga, as well as running experience. It will not only strengthen your diaphragm, but other muscles too.
Or as my pilates teacher might call it: 'The Singing Pavarotti'. Stand straight with feet together, heels and toes touching, and activate your glutes. On an inhale lift both arms sideways parallel to the floor, hands shoulder height; on an exhale close the arms touching the hands in front of you – make sure inhales and exhales are slow and continuous. Don't let the body collapse. When you breathe in and out, it is only your arms that move. Keep your torso stable, and do not allow your chest to pop out and keep the spine neutral.
Do 10 sets of inhale and exhale. Then from the same start-up position, on inhale, lift your arms above your head, hands facing each other. On exhale lower the arms next to your body, hands facing the floor. Do the 10 sets of these too. If you find these exercises difficult you can try and do them on the lying floor, – same rules apply.
Stand straight, with feet together – heels and toes touching. Interlace your knuckles and place the hands under your chin, keeping the elbows together and the thumbs touching the throat (1). On a slow inhale through the nose for a count of six, lift your elbows sideways and lower your chin into the knuckles (2). Pushing your elbows together and dropping the head back, exhale through mouth for a slow count of six (3). The elbows should stay above the shoulders and the knuckles together under the chin.
Do 10 sets of breaths, take a little break and do another 10. This breathing exercise teaches you to sustain your inhales and exhales, and to use your lungs to the maximum.
To get into the position, lie on your back in tabletop position – feet stretched and parallel to the floor. Breathe in, and on exhale lift your head up, scooping off the floor, connecting belly to spine, and lift the base of your shoulder blades. Looking straight ahead, breathe in. Hollowing out your abs even more, and on exhale lengthen your legs and arms.
The lower you extend your legs, the harder the exercise. I suggest starting slightly higher or with both legs bent at the knees in table top position, continue to breathe here. Holding this position, inhale on 5 and exhale on 5. As you're taking the short breaths, pump your arms up and down. The shoulders and neck should be relaxed – take small breaks if you need!
I like to do this compressing pose (digestive system) prior to the cobra.
Lying on the floor, bend the right knee towards the chest, and interlocking your fingers above the knee, pull it towards the right shoulder, avoiding the rib cage. Both shoulders should be relaxed on the floor, as well as the spine. Breathing deep and slow, hold this position for 20 seconds. Then change the leg and repeat the posture on the left side for 20 seconds.
Then bend both of your knees, wrap your arms around the legs just under the knees, each hand holding the opposite elbow. Ideally the tailbone and the back of the head should be touching the floor, and the shoulders should also be down. Knees should be touching, and you are trying to pull them to the chest. Tuck in your chin, gaze into the little diamond shape created by your forearms and knees. Hold this pose for 20 seconds too.
To get into the Cobra pose (1) lie on your stomach, with legs and feet together. Then place your hands under your shoulders, fingers pointing forward. Your elbows should be touching your sides, with legs and glutes activated. Looking up at the ceiling, lift your head and chest using your back strength. You are arching your torso backwards and pushing the pelvis into the floor. Everything from the belly button down should be touching the floor. The shoulders are pulled back and relaxed, scapula engaged, keeping the elbows at a 90° angle. Are you remembering to breathe? Hold this post for 20 seconds. Come out of the pose as gently and controlled as you went into it.
To get into the full locust pose (2) stay on your stomach, stretch your arms to the sides, palms facing down. Activate the legs, glutes and hips. On a deep inhale, lift your head up looking towards the ceiling, and all at once lift the arms, legs and torso off the floor. Lower the body on a exhale – repeating this 10 times over.
You should look like a plane; arms lifted, slightly backward, palms still facing down; the legs should be slightly apart and fully engaged. The aim is to keep balanced on the hipbones using the strength of the legs and front body to lift in one smooth motion.
When we are in a group and one of us starts to panic or gets upset, their breathing changes and the rest of us are prone to sync to their breathing rhythm. In a situation like this, concentrate on your own breath, taking long deep breaths.
These are tips that we've found very useful and want to share with our customers. But we're not certified instructors. Always consult your specialist before beginning any exercise programme. This general information is not intended to diagnose any medical condition or to replace your healthcare professional. Consult with your healthcare professional to design an appropriate exercise prescription. If you experience any pain or difficulty with these exercises, stop and consult your healthcare provider.
raulOctober 10, 2015 at 10:09am
Hello Ms Helena;Than you so much of your vey informative writings...i will now apply this in my system and i firmly believe this will be a great help.
Once again...Thank you.
Reply
HelenaDecember 30, 2015 at 10:08am
Hello Raul,thank you for your comment. I'm glad you found the article useful and hope it'll help with your running.
Good luck. Reply